The Huayan or Flower Garland school (Template:Cjkv) is a form of East Asian Buddhism that first flourished in China during the Tang dynasty. It is based on the Avatamsaka Sutra (Template:Zh) and on a lengthy Chinese interpretation of it, the Huáyán lùn (Template:Zh). The name Flower Garland is meant to suggest the crowning glory of profound understanding.
Origins and development
The Hua-yen school was established during the period of the end of the Sui and beginning of Tang dynasty (c. 600-700 CE). The Tiandai school, which was favoured by the Sui, fell in disgrace. The Tang rulers favoured Taoism, but under Emperor Taizong (627–650), interest in Buddhism, especially Yogacara, relived at the court. Empress Wu Zetian (684–705) supported the Huayan school of Fazang.Template:Sfn
- Dushun (Template:Zh), responsible for the establishment of Huayan studies as a distinct field;
- Zhiyan (Template:Zh), considered to have established the basic doctrines of the sect;
- Fazang (Template:Zh), considered to have rationalized the doctrine for greater acceptance by society;
- Chengguan (Template:Zh), together with Zongmi, are understood to have further developed and transformed the teachings
- Guifeng Zongmi (Template:Zh), who is simultaneous a patriarch of the Chinese Chán tradition.
These men each played a significant and distinct role in the development of the school, although there are certain aspects of this patriarchal scheme which are clearly contrived. For example, Chengguan was born 26 years after Fazang's death. Another important figure in the development and popularization of Huayan thought was the lay scholar Li Tongxuan (Template:Zh). Some accounts of the school also like to extend its patriarchship earlier to Template:IAST and Nāgārjuna.
After the time of Zongmi and Li Tongxuan the Chinese school of Huayan generally stagnated in terms of new development, and then eventually began to decline. The school, which had been dependent upon the support it received from the government, suffered severely during the Buddhist purge of 841-845, initiated by Emperor Wuzong of Tang, never to recover its former strength. Nonetheless, its profound metaphysics, such as that of the Four Dharmadhātu (Template:Zh) of interpenetration, had a deep impact on surviving East Asian schools.
The Huayan school centered on the philosophy of interpenetration and mutual containment which its founders perceived in the Avataṃsaka Sūtra.
The Avataṃsaka Sūtra is a compilation of sutras of various length. The earliest of these texts, the Ten Stages Sutra, maybe dates from the first century CE.Template:Sfn The Daśabhūmika Sūtra describes the ten stages on the Bodhisattva-path. The various sutras were probably joined together shortly before its translation into Chinese, at the beginning of the 5th century CE.Template:Sfn
The basic idea of the Avataṃsaka Sūtra is the unity of the absolute and the relative: Template:Quote
Each part of the world reflects the totality of the cosmos: Template:Quote All levels of reality are related and interpenetrated. This is depicted in the image of Indra's net. This "unity in totality allows every individual entity of the phenomenal world its uniqueness without attributing an inherent nature to anything".Template:Sfn
The most important of these commentaries is Dushun's On the Meditation of the Dharmadhātu.Template:Sfn
Awakening of Faith
The most important philosophical contributions of the Huayan school were in the area of its metaphysics. It taught the doctrine of the mutual containment and interpenetration of all phenomena, as expressed in Indra's net. One thing contains all other existing things, and all existing things contain that one thing.
Distinctive features of this approach to Buddhist philosophy include:
- Truth (or reality) is understood as encompassing and interpenetrating falsehood (or illusion), and vice versa
- Good is understood as encompassing and interpenetrating evil
- Similarly, all mind-made distinctions are understood as "collapsing" in the enlightened understanding of emptiness (a tradition traced back to the Buddhist philosopher Nagarjuna)
Huayan teaches the Four Dharmadhātu, four ways to view reality:
- All dharmas are seen as particular separate events;
- All events are an expression of the absolute;
- Events and essence interpenetrate;
- All events interpenetrate.Template:Sfn
Huayan makes extensive use of paradox in argument and literary imagery. All three types of paradox originate in the tension between conventional and absolute truth. Huayan uses three types of paradox: 1. Emphasizing the concept of śūnyatā, first is asserted that a phenomenon X is empty, which implies that X is not X. An example from Fazang is the assertion:Template:Quote 2. Reversing the first paradox by asserting that any empty phenomenon is an expression of the absolute non-duality between emptiness and form, or the identity between conditioned, relative reality and the ultimate truth of tathatā. This paradox is derived from two doctrinal sources:
- The Hua-yen concept of "true emptiness"
- The Hua-yen interpretation of the dialectic of the One Mind in the Awakening of Faith in the Mahayana.
Fazang's paradoxical assertion illustrates this second type: Template:Quote 3. The third variation of paradox is grounded in the Hua-yen doctrine of the "nonobstruction of all phenomena" (shih shih wu-ai(k)). Each phenomenon is perceived as interpenetrating with and containing all others. This paradoxical violation of the conventional order of time and space is exemplified by Fa-tsang's famous "Essay on the Golden Lion":Template:Quote
Classification of Buddhist teachings
Buddhism was introduced into China in bits and pieces. When the knowledge of Buddhism grew larger, various schools attempted to get a grip on the Buddhist tradition by developing classifications of teachings,Template:Sfn such as the Five Periods and Eight Teachings of the Tiantai-school.
The Hua-yen school developed a fivefold classification:Template:Sfn
- The Hinayana-teachings, especially the Sarvastivadins
- The Mahayana-teachings, including Yogacara, Madhyamaka
- The "Final Teachings", based on the Tathagatagarbha-teachings, especially the Awakening of Faith
- The Sudden Teaching, "which 'revealed' (hsien) rather than verbalised the teaching"Template:Sfn
- The Complete, or Perfect, Teachings of the Avatamsaka-sutra and the Hua-yen school.
Huayan and Chán had doctrinal arguments regarding which would be the correct concept of sudden awakening. The teachings of the Chán-school were regarded as inferior by the Hua-yen teachers. The Chán-school polemitized against this classification, by devising its own rhetorics in defense.Template:Sfn
The doctrines of the Huayan school ended up having profound impact on the philosophical attitudes of East Asian Buddhism. Some Huayan commentators also used Confucian and Taoist terminology in their works.
Chinese Chán was profoundly influenced by it, though Chán also defined itself by distinguishing itself from Huayan.Template:Sfn Tsung-mi, the Fifth Patriarch of the Hua-yen school, also occupies a prominent position in the history of Chán. During the Song, the Hua-yen metaphysics were completely assimilated by the Chán-school.Template:Sfn
- Cleary, Thomas, trans. (1993). The Flower Ornament Scripture: A Translation of the Avatamsaka Sūtra. ISBN 0-87773-940-4
- Thomas Cleary (1995). Entry Into the Inconceivable: An Introduction to Hua-Yen Buddhism, University of Hawaii Press; Reprint edition. ISBN 0824816978 (Essays by Tang Dynasty Huayen masters)
- Gimello, Robert; Girard, Frédéric; Hamar, Imre (2012). Avataṃsaka Buddhism in East Asia: Huayan, Kegon, Flower Ornament Buddhism ; origins and adaptation of a visual culture, Asiatische Forschungen: Monographienreihe zur Geschichte, Kultur und Sprache der Völker Ost- u. Zentralasiens, Wiesbaden: Harrassowitz, ISBN 978-3-447-06678-5.
- Gregory, Peter N. (1983). The place of the Sudden Teaching within the Hua-Yen tradition：an investigation of the process of doctrinal change, Journal of the International Association of Buddhist Studies 6 (1), 31 - 60
- Haiyun Jimeng (2006). The Dawn of Enlightenment - The Opening Passage of Avatamsaka Sutra with a Commentary, Kongting Publishing. ISBN 986748410X
- Hamar, Imre, ed. (2007), Reflecting Mirrors: Perspectives on Huayan Buddhism. Wiesbaden: Harrassowitz Verlag
- Buddhism in a nutshell - Hua-yen
- Chang Chung-Yuan, The World of Shih & Li of Tung-Shan
- Flower Adornment Sutra - Hua Yan Jing - Avatamsaka Original Text
- Articles by Imre Hamar